The drama of the paranoid computer still maintains its tension, though it no longer seems amazing; the beginning with the monkeys is still a fine piece of cinema, but those non-aerodynamic spaceships have long lain in the toybox of our now-grown children, reproduced in plastic (the spaceships, I believe, not our children); the final images are kitsch (a lot of pseudo-philosophical vagueness in which anyone can put the allegory he wants), and the rest is discographic, music and sleeves (p. 145).
"The Multiplication of the Media". (1983)
Eco, U. (1986). Travels in hyperreality. (W. Weaver, Trans.). Orlando, FL: Harcourt Brace & Company. (Original work published in 1983).